By the time he recorded the first “Sing Along With Mitch” album, he had already had success with this approach on the singles chart, scoring a No. ", "The microphone and the amplifier made the popular song what it is - an intimate one-on-one experience through electronics. One Miller specialty was developing crossovers from country to pop. His wife of 65 years, the former Frances Alexander, died in 2000. © 2010 The Associated Press. It reached No. Copyright © 2020 CBS Interactive Inc. All rights reserved. Mr. Miller, a Rochester native who was born on the Fourth of July, had been an accomplished oboist and was still a force in the recording industry when he came up with the idea of recording old standards with a chorus of some two dozen male voices and printing the lyrics on album covers.
agents tried to flush them out by blasting “Sing Along With Mitch” Christmas carols. His decision to have Mathis switch from jazz to lushly romantic ballads launched the singer as a superstar.
When Gershwin’s “Porgy and Bess” opened on Broadway in 1935, Mr. Miller was in the pit orchestra. In the Martin Scorsese documentary on Bob Dylan, "No Direction Home," Miller acknowledged that he was dubious when famed producer John Hammond brought the nearly unknown Dylan to the staid Columbia label in the early '60s. He was inducted into the Modern Drummer Hall of Fame in 2009. “What pleased me the most,” he said in an interview with The Times in 1981, “was a fellow who came up to me after a concert in Chicago and said, ‘You know, there’s nobody in this whole country who hasn’t been touched by your music in some way.’. He used dubbing of vocal tracks back when that was considered exotic. He then went over to Columbia Records as head of its popular records division. Born July 4, 1911, in Rochester, NY; son of a tool maker and wrought-iron worker; married Frances Alexander. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. He later got a job with the CBS Symphony, performing with it during the notorious Orson Welles “War of the Worlds” radio broadcast in 1938. The ratings were good, but the critics were mostly unimpressed. Miller was a key record executive at Columbia Records in the pre-rock 'n' roll era, making hits with singers Rosemary Clooney, Patti Page, Johnny Mathis and Tony Bennett. Miller and a chorus had a No. They had a heated argument. In a 1955 essay in The New York Times magazine, he said the popularity of rhythm and blues, as he called it, with white teens was part of young people's "natural desire not to conform, a need to be rebellious. Miller began in the recording business with Mercury Records in the late 1940s, first on the classical side, later with popular music. Live Updates: COVID-19 cases hit record high in U.S. Second suspect in custody in suspected terror attack in France, Walmart pulls guns from stores, citing risk of "civil unrest", A rare blue moon will light up the Halloween night sky, Trump Jr. says COVID deaths are "almost nothing" on day when 1,000 died, Battleground Tracker: Latest polls, state of the race and more, 5 things to know about CBS News' 2020 Battleground Tracker, CBS News coverage of voting rights issues.
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