It is an electrical term rather than an audio term. I think you know the answer by now- UNDERSTAND SIGNAL FLOW. One of the most important things to understand when doing live sound is signal flow. From here the signal gets re-encoded and sent to whichever stage-box is closest to our amp-racks.
Rather than have to independently mix 32, 40, or even up to 56 channels on a console, you can assign for example, all the drums to one fader called a “subgroup”.
What is the path from the vocal microphone to the console and from the channel in the console to the Stereo Mix? Signal flow is the list of steps that sound goes through in order for you to hear it. Here is the signal flow of a Mackie 1604 VLZ. It also gives the audio tech CONFIDENCE as he sits behind the console. If it is labeled as as “Pre” or “PreFade” mix, then its level is completely independent of the channel’s fader. It’s also recommended that you make it in linear, vertical orientation so that it helps you visualize the flow better.
( Log Out / Now, let’s talk about the importance of signal flow. If you’re pre-amp gain is set correctly but your signal level is too low at the fader, where are you losing gain?
Headroom - Live Sound Engineer Training (Level 1) Signal Flow - Live Sound Engineer Training (Level 2) Focus Series - Training Modules; Live Sound for Worship
LOL. Understanding signal flow through the console will allow you to achieve optimum gain of your inputs and maximum headroom. If you want to troubleshoot quickly and efficiently, a thorough understanding of signal flow is essential. My “Bass Player’s Compression Dilemma” » Understanding Signal Flow Published October 7, 2010 Curriculum 14 Comments Tags: audio, board, console, desk, flow, FOH, learning, lesson, mixing, pro, signal, sound, system, tutorial.
Live sound signal flow Could someone please explain the general signal flow of a live sound setup. The Subgroup does not affect any aux sends, it only affects the main mix.
Where are you sending the signal? Useful for eliminating phase-cancellation when using multiple mics on the same source (both the top and bottom of a snare drum, for example). If you are mixing a live show and suddenly the vocal drops out of the PA, what do you do first? RSVP: https://withfriends.co/event/3072163/signal_flow_is_a_live_sound.
Good comment. Could someone please explain the general signal flow of a live sound setup. Trust me, it’s going to happen this is live sound we’re talking about, gear fails all the time.
Where is the insert in the signal path? Works as a “solo” button for the engineer’s headphones. GENERALITIES: One of the most important things to understand when doing live sound is signal flow. This is a necessary step in getting the best quality audio with minimal distortion and or noise. A Crash Course in Signal Flow & Gain.
eBook by Darryn de la Soul, Dr. Peter Lennox, University of Derby Post was not sent - check your email addresses! So a Matrix Out is created downstream from any individual channel functions. When something in the signal path fails or breaks down you will need to fix the problem as quickly as possible. Well for one, so you can properly connect all the various parts of your sound system. Good, but you could also add master EQs, and EQs for aux sends, which would be inserted between board output and send to the power rack into the crossover.
The mute happens after the pre-fader outputs. A well-run soundcheck can make a world of difference in your show.
Join us as we present the technical and creative aspects of this profession, encompassing everything from the physics of sound to the best way to bring forward the emotions of a song, while reinforcing the fact that there is no job a woman can’t do! Change ), Create a free website or blog at WordPress.com. Imoni Cole-Palmer is a tönmeister and classically trained musician born and raised in Brooklyn, NY. Instead, the VCA acts exactly like a remote control to channels which are assigned to it. RSS Entries and RSS Comments. The XLR cable coming from a microphone, let's say the lead vocalist's, goes into one of four stage-boxes. Signal Flow. Girls empowers the next generation of women in audio by establishing networks of support, mentorships, internships, and job placement. Sound Systems are comprised of many different pieces of equipment, including but not limited to loudspeakers, crossovers, amplifiers, signal processors, audio consoles, microphones, DI boxes, sub snakes, splitters, etc. “It is undoubtedly the most useful user manual I’ve read in a long time”. The question was raised, “How does this help you?”. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. An understanding of these concepts is an enormous asset when communicating your needs to a live sound technician. Not to be used in any other websites or printed materials.]. Both are necessary for getting good sounds and the best performance from the sound system. There is a specific path the audio signal needs to take through this equipment for it to function properly. If, for example, I assign all 32 channels of a console to SubGroup 1, and the console I’m driving doesn’t have Group Meters, and I keep the Group 1 fader low enough that I don’t get overloads on the Master Mix Meters, then it would be possible to overload the Group 1 buss, creating distortion, that would not show up on any meters. The amps are normally located somewhere near the stage. From there the stage box decodes the signal and then re-encodes it to be sent out one of the digital outputs to the main PA amp. When something in the signal path fails or breaks down you will need to fix the problem as quickly as possible. It’s kind of like riding a train. Are you sending the signal to an insert?
Audio Training for Live Sound. In mixing, it’s how the sound gets from an instrument or input to the audio console and what path the signal takes through the console before finally coming out of the speakers. A thorough understanding of signal flow will allow you to be more comfortable when using a console you’ve never mixed on before. Polarity: A simple switch which flips the polarity of the input. The only way this term becomes important to an audio tech is in the possibility that you get some “buss distortion) which may not show up on the meters. From live concerts to theatre, A/V, television, and post-production, there are few areas of sound that she hasn’t taken by storm though she specializes in, and is relentlessly driven by, concert production and the curation of the ideal audience experience. Thoughts?---------- *** ---------, sorry about the lack of tweets as of late. To understand how each component in that path affects the signal, you need to know what the path (signal flow) is. This is vital for achieving the results you are looking for. You need to patch the inputs on the stage to the snake, the snake to the consoles, the console to the system EQ and processors, the processors to the amplifiers and finally the amplifiers to the speakers. While we are talking about the console, do you know how to mix on every console out there? The vast assortment of audio consoles on the market today can be intimidating to a novice engineer. This is vital for achieving the results you are looking for. So before you actually get … Core Principles of Live Sound and Mixing- Part 1- Signal Flow. If you want to troubleshoot quickly and efficiently, a thorough understanding of signal flow is essential. What is the path from the vocal microphone to the console and from the channel in the console to the Stereo Mix? EXAMPLES:
Here’s why- Signal flow through the audio console follows virtually the same path no matter which one you are using. Using this information, the engineer can quickly TROUBLESHOOT the likely causes of common problems, and can even narrow down the possibilities of unexpected major problems. Stage inputs go to the snake head.
You know, the one that pays you to do work instead of the other way around. I have created a few Signal Flows for study.
( Log Out / Trust me, it’s going to happen this is live sound we’re talking about gear fails all the time. Read more about live sound and mixing HERE. One of the most important things to understand when doing live sound is signal flow. Live Sound Signal Flow Have you ever been to a gig, or even a live event, and wondered how on earth they’re able to get the sound from what’s being played on stage through the speakers? Teaching live sound basics (signal flow/connections) to a group I teach a music technology course at a high school where we do a lot of in-the-box work with DAWs, but have always struggled with teaching a class of 16 students the basics of live sound (signal flow/connections/hardware) simply because I don't have enough equipment to give each student (or even pairs) their own system to set up. ( Log Out / Then out to the amps and speakers. For the subs, we use a separate output on the stage-box and use a custom mix so we can select which instruments to send to the subs and how much of each and use a matrix to change the volume of each sub on its own.
To understand how each component in that path affects the signal, you need to know what the path (signal flow) is. When you understand signal flow, you can easily visualize how all these pieces go together. Signal Flow is a Live Sound workshop by Sus.Media in collaboration with Female Frequency and Soundgirls with the aim of removing gender stigmas from technical professions in the arts.
Starting with the microphones through to the mixing desk, outboard equipment, amps & speakers (and anything I've left out). Since this console has enough outputs, it is both the FOH mixer and monitor mixer.
Sound Systems are comprised of many different pieces of equipment, including but not limited to loudspeakers, crossovers, amplifiers, signal processors, audio consoles, microphones, DI boxes, sub snakes, splitters, etc. Where it gets really interesting is that channels that are assigned to a VCA Group DO NOT have to share a common audio path AT ALL. Well then, this is the place for you, because this blog post will be covering the signal flow of a typical live sound … So I can raise or lower the level of all 8 drum mics on one fader – VERY USEFUL. I think you know the answer by now- UNDERSTAND SIGNAL FLOW. : the channel faders.). Free 30 day trial: StagePlot Pro for Mac: anyone actually seen the new Source Four LEDs in person? When it reaches the console, the signal is decoded and all of the FX such as EQ, Reverb, and Delay are added.
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